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Description
The Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one.
The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice.
Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing.
Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve.
Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought provoking new features such as Channel AI (yes, Artificial Intelligence).
This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.
Features
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Live performance digital control centre with up to 144 simultaneous input channels and 96 kHz sample rate
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123 time-aligned and phase-coherent mix buses
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21" full colour TFT display screen with capacitive touch sensing
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Advanced and multi gesture, touchscreen user interface
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Award-winning Midas microphone preamplifiers
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HyperMAC and AES50 networking allows up to 480 inputs and 480 outputs @ 96 kHz sample rate
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Dual Network Bridge Format Converter with up to 128 Bidirectional Channels and Asynchronous Sample Rate Conversion
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24 VCA (variable control association) groups, and 24 POPulation groups
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Up to 48 assignable 1/3 octave Klark Teknik DN370 graphic equalisers
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Up to 24 multi-channel digital signal processing effects engines
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Integrated Bluetooth and wireless transceiver module
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Dual ULTRANET Ports providing 32 additional digital outputs
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28 MIDAS PRO motorised 100 mm faders
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Fully interpolated touch sensitive controls
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Optional wireless remote control with remote application
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Dual redundant auto-ranging universal switch-mode power supplies
Specification
Processing
| Input processing channels |
144 flexi channels |
| Output processing channels |
96 flexi aux outputs, 24 matrices, stereo bus, mono bus |
| Point-to-point routing matrix |
622 x 652 |
| Signal processing |
64-bit floating point |
| D/A converter |
24-bit, 96 kHz and 128 times oversampling |
| A/D converter |
24-bit, 96 kHz and 128 times oversampling |
| Sampling frequency |
96 kHz |
| I/O latency (surface input to output) |
1.34 ms |
| Input audio processing |
Dual-slope high and low-pass filters True phase filter control 4-band parametric EQ with 3 shelf modes 4-mode creative input compressors Input gates or ducker Insert point on/off with processing order change Direct output with adjustable level and processing pick of point Delay-compensated aux return mode on inputs 5 x tap-off points per send |
| Output audio processing |
Output 4-band parametric EQ with shelving/HP/LP options 4-mode creative output dynamics Insert point on/off with processing order change Direct input with adjustable level and processing tap-off point |
| Mixing control assistance |
12 x talk groups 12 x mute groups 24 x surface POPulation groups 24 x VCA associated population groups Scene snapshot automation |
Connectors
| Midas microphone preamplifier |
8 x XLR balanced |
| Balanced outputs |
8 x XLR balanced |
| Talkback connector |
1 x XLR balanced |
| Talk connector |
1 x XLR balanced |
| Headphone connector |
2 x 1⁄4" TRS (stereo) |
| Digital AES3 input / output (XLR) |
2 / 2 |
| AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s) |
4 |
| Snake (copper) |
2 x HyperMac (192 channels of bi-directional digital audio) on RJ45 XLR |
| Snake (fibre) |
2 x HyperMac (192 channels of bi-directional digital audio) on Opticon XLR |
| CM1 expansion slots |
2 x slots (CM1 module for AES50, DANTE, MADI and USB) |
| Ultranet |
2 x Ultranet ports (up to 16 digital outputs per port) |
| Word clock IN |
BNC, accepts TTL level, 96 kHz square wave, impedance 75 Ohms |
| Word clock OUT |
BNC, provides a TTL level, 96 kHz square wave |
| AES3 sync IN |
1 x 3-pin XLR |
| AES3 sync OUT |
1 x 3-pin XLR |
| External (Ethernet) connector |
RJ45 XLR |
| Monitor output |
2 x HDMI (1920 x 1080p 59.94Hz/60Hz 16:9 & 720 x 480p 59.94Hz/60Hz 16:9 supported) |
| USB 3.0 type A hub |
4 x 5 V ⎓ 900 mA |
| USB 3.0 type A (fader port expansion) |
4 x 5 V ⎓ 900 mA |
| USB 2.0 type A (front surface data) |
1 x 5 V ⎓ 500 mA |
| Diagnostics Port |
Serial port |
| MIDI |
In, Out and Thru 5-pin MIDI DIN sockets |
| Lamp |
2 x 12 V DC 5 W 4-pin |
| IEC mains socket with power switch |
2 |
Input / Output Characteristics
| Surface input impedance |
10 kΩ |
| Non-clip maximum input level |
+24 dBu |
| Input gain |
Analogue stepped gain -2.5 dB to 45 dB plus -40 dB to +20 dB continuous digital trim |
| Phantom power (switchable per input) |
+48 V |
| Talk mic impedance |
5 kΩ |
| Talk mic gain |
+15 dB to +60 dB |
| Talk mic max level |
+6 dB |
| Talkback impendance |
20 kΩ |
| Talkback gain |
∞0 to + 10 dB |
| Talkback max level |
+21 dBu |
| Surface output impedance |
50 Ω |
| Surface output gain |
0 dB |
| Surface output max level |
+21 dBu |
| Dynamic range |
106 dB, 22 Hz to 22 kHz, unweighted |
| Maximum voltage gain |
100 dB inputs to subgroups and masters , 106 dB inputs to aux and matrix |
| Crosstalk at 1 kHz |
-100 dB physically adjacent input channels |
| Crosstalk at 10 kHz |
-90 dB physically adjacent input channels |
| Fader / pan cut off at 1 kHz |
-100 dB |
| Fader / pan cut off at 10 kHz |
-100 dB |
| Headphones output impedance |
10 Ω |
| Headphones maximum output level |
+21 dBu |
Displays
| Display screen |
21" LCD high brightness 1920 x 1080 px, captive touchscreen, up to 10 simultaneous touches |
| LCD info displays |
41 x full colour LCD info displays, 24 mm x 24 mm (size), 240 x 240 px |
| Input meters (quantity 30) |
12 segment -35 dBu to +20 dBu |
| Output meters (quantity 7) |
20 segment -36 dBu to +21 dBu |
| Channel comp meters (quantity 28) |
5 segment -24 dBu to -1 dBu |
| Channel gate meters (quantity 28) |
5 segment -34 dBu to -5 dBu |
| Comp meter (quantity 1) |
12 segment -23 dBu to -1 dBu |
| Gate meter (quantity 1) |
12 segment -34 dBu to -1 dBu |
Delivery & Returns
At Gear Club Direct, we want you to be happy with your purchase. We understand that there are times when once a product is received, it may not be what you needed or wanted after all. So, we will gladly accept your qualifying return within 15 days of the delivery date. After 15 days of the delivery date, all sales are final.
The Return Process
Customers are required to obtain a Pre-Authorization to return any product. To submit a request for a return, simply log in to your account and request a return and one of our sales representatives will contact you within 24-48 business hours. If you do not have an account with us, please open a help ticket, providing as much detail as possible and whether you are requesting a refund or an exchange. READ MORE
